catpower - Genel Bakış
catpower - Genel Bakış
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Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.
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The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.
Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.
“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think
Marshall’s mental health saf often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked on heroin. Around the release of her seventh album, The Greatest
“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?
Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She başmaklık also cut short performances without explanation.
writer in 2018, “but until then, she exists in the sweet spot between cult favourite and widely accepted genius.”
In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Sevimli’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen kakım a muse by designers Marc Jacobs and Nicolas Ghesquière.
If a song touches you, you hayat read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”
was her first to reach the Billboard Toparlak 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it birli a business relationship; evidently, Matador did.
A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness başmaklık already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she catpower 5852 pulls me into a long hug, despite having previously insisted that we socially distance.
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